Fils barbelés, acier
Barbed wired, steel
Dimensions variable
Béton, acier, polystyrène, bois, verre, grès
Concrete, steel, polysterene, wood, glass, stoneware
200 cm ø 30 cm
Plâtre, pigment, poudre de marbre
Plaster, pigment, marble powder
Dimensions variable
Paris + par Art Basel, Paris, Oct 2022, © Gregory Copitet
Jesse Darling: Miserere
St James’s church Piccadilly
London, UK
Solo Show, "Enclosures",
Comdem Art Center, London UK
2022
Solo Show, "No Medals, No Ribbons",
Modern Art Oxford, UK,
05/03/22 - 01/05/22
© Ben Westoby
Groupshow, « Crip Time », MMK, Frankurt, Germany, 18/09/21 - 30/01/2021
Groupshow, « Ora et Lege », curated by Monika Čejková Broumov Monastery, Czech Republic, June-Sept. 2021 © Educational and Cultural Center Broumov and Tomáš Souček
Exhibition view, "Life constantly escapes, Kunstraum", 2021, © Aurélien Mole
Exhibition view, « Collection as Poem in the Age of Ephemerality », X Museum, Dec. 2020, curated by Poppy Dongxue Wu, photo credit Semi Semet
Exhibition view, « A Fine Line », Kunsthalle Bremen, Sept. 2020
Exhibition view, « Gravity Road », Kunstverein Freiburg, Sept. 2020 © Marc Doradzillo
Exhibition view, « When The Sick Rule The World », *ALTEFABRIK, Feb. 2020 © Niklas Goldbach
Exhibition view, «The same room : Julie Becker in dialogue», Galerie Neu, Feb. 2020
Exhibition view, "Selva Oscura", 2019, Galerie Sultana, Oct. 2019 © Aurélien mole
Installation view, "HERE AND NOW at Museum Ludwig. Transcorporealities", 2019, Museum Ludwig, Cologne, Photo: Rheinisches Bildarchiv Köln / Nina Siefke
Exhibition view, "Crevé", 2019, Triangle France-Astérides, Marseille, Photo - credit : Aurélien Mole.
Exhibition view, "The Ballad of Saint Jerome ", 2019, Art Now, TATE Britain, Photo credit: Matt Greenwood
Exhibition view, " May You Live In Interesting Times ", 58th International Art Exhibition - La Biennale di Venezia, Various works, 2018, Mixed media, Credit Francesco Galli, Courtesy La Biennale di Venezia
Exhibition view, "À Cris Ouverts", 2018, 6e édition des Ateliers de Rennes - biennale d’art contemporain, Photo - credit : Aurélien Mole.
Exhibition view, "Cellular World", 2018, Glasgow International Festival
Exhibition view, "Support Level", 2018, Chapter Gallery, New York, NY
Exhibition view, "Armes Blanches", 2017, Galerie Sultana, Paris
Exhibition view, «The Great Near», 2016, Arcadia Missa, London
Exhibition view, «ATROPHILIA» with Phoebe Collings-James, 2016, Company, New York
Exhibition view, «No Ordinary Love», 2016, Galerie Sultana, Paris
Exhibition view, « Material Girls and Their Muses », 2014, Marcelle Joseph Projects, London
| GALLERY SHOWS: |
Cottagecore YESN'T II |
| FAIRS: |
Frieze New York. New York, USA Art Basel Miami. Miami, USA |
| BIO: |
Jesse Darling lives and works in Berlin. His practice spans sculpture, installation, video, drawing, sound, text, and performance. In 2021, he released his first collection of poetry, 'Virgins', Monitor Books (Salford, UK). Jesse Darling has received commissions from MoMA Warsaw, The Serpentine Gallery, London, and Volksbühne, Berlin among others. Recent solo exhibitions include: 'Gravity Road', Kunstverein Freiburg (Freiburg im Breisgau, DE 2020); ‘Crevé’, Triangle France - Astérides (Marseille, FR 2019); 'Selva Oscar', Galerie Sultana (Paris, FR 2019); and ‘The Ballad of Saint Jerome’, Art Now, Tate Britain (London, UK 2018). Select group exhibitions include: 'Crip Time', MMK Frankfurt (Frankfurt, DE 2021); 'Three, Four Trees', E.A. Shared Space (Tbilisi, Georgia 2020); 'A Fine Line', Kunsthalle Bremen (Bremen, DE 2020); 'Transcorporealities', Museum Ludwig (Cologne, DE 2019); 'May You Live in Interesting Times', 58th Venice Biennale (Venice, IT 2019); 'A Cris Ouverts’, La 6ème édition des Ateliers de Rennes (Rennes, FR 2018). |
| PRESS: |
